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he returned to document the impact of the war on civilians
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Girls dressed in togas
foregrounding the fragile human body’s struggle for survival in hostile environments
Manifest Nan goldin he returned to document theManifest by Kristine Potter builds on her previous investigations of masculinity and the American soldier fixing her gaze on a parallel archetype, the American Cowboy. Uncovering a world far more formidable and disorienting than the canon of traditional western landscape photography had previously detailed, Potter encounters men who sparingly dot the terrain, seemingly both tethered to, and in divergence with, the myth that precedes them. Weaving body
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